HIGH MAS: Carnival and the Poetics of Caribbean Culture is a book of contemporary Caribbean thought and practice. In it, I combine the arts of photography and the lyric essay to devise a way of seeing the Caribbean, the world, and the self.
You can order it here.
You can view excerpts of reviews here.
— Kevin (@drbrowne)
Responding to the myths and crises of identity, of nation, and of belonging that persist in the region, HIGH MAS complicates assumptions about Trinidad Carnival as an exemplary festival of local freedoms. Instead, Browne explores the spirit of Mas as a deeply generative means of vernacular expression. Using the performance of Mas as a lens for reading the contemporary Caribbean, Browne draws particular inspiration from the performances of Blue Devils, La Diablesse, and Moko Jumbies—all of whom were photographed by the author between 2014 and 2017.
Essays accompany each series and frame the author’s ideas of “Caribbeanist Photography” as a practice that is both reflective and refractive. Beginning with memoir, and moving progressively toward a more extensive treatment of Caribbeanness as performance—as Mas—the book is a celebration of the Caribbean subject. It is, furthermore, a declaration of the agency of ordinary people who take it upon themselves to do extraordinary things, who deconstruct the vagaries of everyday life to construct meaning. Like its overarching theme, HIGH MAS disrupts conventional assumptions of what Mas—and the people who make Mas—can do. It recomposes the image. Relying simultaneously on aspects of memory, experience, imaging, and inquiry, HIGH MAS is an intricate argument for the relevance of vision to the Caribbean voice.
Praise for HIGH MAS…
“Kevin Adonis Browne’s High Mas: Carnival and the Poetics of Caribbean Culture, is a one of a kind work that understands fundamentally all that is at stake when people make Mas–the embrace of their fierce unexpurgated beauty. The writing, and by that I mean both text and image, is as liquid as Mas itself catching the exquisite balancing of life here, life after, and life before which is ‘being’ in Mas. Mas is the body abstracted from the formal tyrannies of history and of the quotidian–not a fleeting or temporary state of performance but the production of an ongoing state of being; neither cosmetic nor decorative nor even dramatic but lodged in the existential, or as Browne might call it the rhetorical. Browne shows us everything about the permeable, uncanny habitations of these figures of Mas in his lucid images. This book is wise and field changing.”
–Dionne Brand, poet, novelist, and essayist
“Lest we forget there was Mas (still is!), Kevin Adonis Browne reminds us of its crucial role in Caribbean culture and history. In this remarkable book, Browne turns his Caribbeanist photographic gaze on images of Mas present and past, too many taken for granted, too many in danger of being lost forever. Poet, visual artist, photographer, essayist, visionary, Browne warns us to pay attention to what we see and feel. This book with its riveting photographs and poetic prose is essential reading. It will open our eyes to what lies beneath the revelry of Mas.”
–Elizabeth Nunez, distinguished professor of English at Hunter College, CUNY, and author of several novels including Prospero’s Daughter, Bruised Hibiscus, and Anna In-Between
“Kevin Adonis Browne’s High Mas: Carnival and the Poetics of Caribbean Culture is a gorgeous rhetoric, a poetic, visually stunning, and necessary book. That it is a rhetoric is clear from Browne’s essays that theorize, meditate on, and historize Carnival. These essays explore memory, blindness and the problems of sight, composition, light, refusal, something like freedom and the practice of Caribbeanist photography. The subjects with whom he collaborates–those people who make Mas–inform and co-shape the photographic praxis that Browne elaborates in the essays and performs in the photos. A visual textual document of the present, High Mas leaves me breathless with the beauty of what we make, how, and under what conditions.”
–Christina Sharpe, professor of humanities at York University, Toronto, and author of Monstrous Intimacies: Making Post-Slavery Subjects and In the Wake: On Blackness and Being
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(Keywords: Caribbean Poetics, Trinidad, Photography, Carnival, Cultural Rhetoric)
Read or download a pdf of Chapter Summaries here.